Bibliography
Kerley,
Barbara, and Ed Fotheringham. The Extraordinary Mark Twain (according to
Susy). Ill. by Edwin Fotheringham. New York: Scholastic Press, 2010.
ISBN
9780545125086
Plot Summary
Barbara
Kerley bases her informational biography, The
Extraordinary Mark Twain (According to Susy), on previously unknown diary
entries, written by Mark Twain’s 13-year-old daughter, Susy. In addition to daily events, Susy had
recorded many facts, observations, and stories about her father that the media,
reviewers, and readers of his works were not privy to. Kerley chooses details from Susy’s writings
to paint a personal portrait in words about Mark Twain, integrating Susy’s
actual words with published information about Twain’s appearance, his habits, his
life as she saw it, and his writing.
Critical
Analysis
The
Extraordinary Mark Twain (According to Susy) by Barbara Kerley uses an
authentic document as a base for an original, creative approach in writing a
children’s biography. Kerley, in her
author’s note, explains that she “stumbled across an interesting, historical footnote.”
Mark
Twain, an iconic American writer and humorist, was the subject of personal
revelations by his daughter, Susy, in her diary. She wrote about day-to-day activities and
whatever habits, actions or thoughts her father had that she thought to
record. For example, Susy mentions that
her mother was her father’s editor and would “turn down the leaves of the pages
which meant, [sic] that some delightfully dreadful which part must be scratched
out” (inset page 34-35).
Kerley
chose from among Susy’s writings and integrated Susy’s observations into her
biography. The result is a delightfully
revealing, sometimes funny, but always forthright revelation of a Mark Twain
few outside the family knew. For
example, when Twain talked about unwanted visitors, Susy quoted him as saying,
they were “mentally dead people [who] brought their corpses with them for a
long visit” (inset page 24-25).
Kerley’s
organizing principle in this biography seems to revolve around what she took
from Susy's diary and integrated into the biographical information Kerley has
chosen to use in the text. Kerley
provides a short time-line on the last page of the book, but the text doesn’t
follow a typical biographical timeline.
The
style of writing is interesting to a reader.
The tone is revelatory, not conversational. “Like any good biographer, Susy chronicled
Papa’s (referring to Twain) early years.
The small inset tiny pages meant to imitate Susy’s diary entries
elaborate what Kerley states. “Papa was
born in Missouri . . . ” (inset page 18-19).
Kerley does not misspell, but Susy does and that error, among others,
endears her to the reader.
In
regard to design, those small inset pages are very effective, but the artwork
is not. Edwin Fotheringham, the illustrator,
may be a “celebrated editorial artist” (back book jacket), but the colors, huge
illustrations, and random scribbles do not seem to match a 13-year-old’s
imagination. Nor does the cover portray
Twain and Susy in a way that would attract attention unless a youth already
could recognize a caricature.
Quoting
extensively from an authentic document is the most noticeable characteristic of
Kerley’s biography of Twain. Vardell
states that one of the most important aspects in evaluating biographies is “the
presence of documentable dialogue”[1] in
order to distinguish it from historical fiction. Kerley states that “all excerpts from Susy’s biography,
including hand written notes inserted by Mark Twain, were drawn from the
original manuscript housed in the Albert and Shirley Small Special Collections
at the University of Virginia Library (back inside cover). She provides a list of every quote and its
page number from Susy’s biography. This
extensive documentation validates the text as historically accurate.
Review
Excerpt(s)
2010 CYBILS Nonfiction Picture Book Award
Best Children’s Books 2010 -- Publishers
Weekly
Best Books 2010 -- School Library
Journal
Best Books for Children and Teens 2010 -- Kirkus Reviews
Best of 2010: Books for Young Readers -- Washington Post
A Junior Library Guild selection
100 Titles for Reading and Sharing -- New York Public
Library
Eureka! Nonfiction Children’s Books Gold Award,
California Reading Association
Winner of the Oregon Spirit Book Award for Nonfiction
-- OCTE
Oregon Book Award Finalist
NCTE Orbis Pictus Recommended Book
Notable Social Studies Trade Book for Young People
Notable Children’s Book in the English Language Arts
CCBC Choices 2011
Best Children’s Books of the Year -- Bank Street
College of Education
“A delightful primer on researching and writing
biographies, and a joy to peruse.” - SCHOOL LIBRARY JOURNAL,
starred review
“A heartwarming tribute to both the writing life in
general and the well-loved humorist-oops, sorry Susy… "Pholosopher!"”
– KIRKUS REVIEWS, starred review
“Though a story about someone writing a book sounds a
bit static—and it sometimes is—Kerley manages to bring Susy and her famous
father to life using plenty of household anecdotes.” - BOOKLIST
Connections
·
Writing
an extraordinary Biography (According to Barbara Kerley) for students. Printable page www.Barbarakerley.com/teachers.html.
·
Introducing
children to genealogy.
·
Practicing
interviewing skills for a feature article on a classmate.
·
Researching
a famous person. List his/her attributes
and have class guess who it is. Have
numbered pictures of the people available on the bulletin board and students
can choose the number of person whom they believe is being described.
[1] Vardell, Sylvia
M, Children's Literature in Action: A Librarian's Guide, Second ed. (Santa
Barbara: Libraries Unlimited, 2014), 267.
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